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| 1 | A global role for KLF1 in erythropoiesis revealed by ChIP-seq in primary erythroid cells显示文摘 | Tallack MR Whitington T Yuen WS | | 0，，： | 1 |
| 2 | Novel roles for KLF1 in erythropoiesis revealed by mRNA-seq显示文摘 | Tallack MR Magor GW Dartigues B | 2012 | Genome Res2012，22，12： | 1 |
| 3 | ″Moving Inward As Well As North″: The Historical Imagination in Arthur Miller’s The Crucible and Timebends显示文摘Arthur Miller, one of the most admirable of Americans to come out of the ″American century″, died in 2005, aged 89. In the UK, at least, his work has undergone a revival and the themes of his great plays remain resonant, even though, in many respects, they are historically specific. The relationship between literature and history-whether conceived as a symbolist or allegorical relationship-together with an instance of the past invading the present, is brought out in a compelling episode in Miller’s autobiography, Timebends, and offers a way of talking about those inter-connections in The Crucible. | Douglas Tallack | 2005 | 外国文学研究2005，27，4： | 1 |
| 4 | A global role for klfl in erythropoiesis revealed by chip-seq in primary erythroid cells显示文摘 | Tallack MR Whitington T Yuen WS | | 0，，8： | 1 |
| 5 | Genomic organisation and regulation of murine alpha haemoglobin stabilising protein by erythroid Kruppel-like factor显示文摘 | Keys J R Tallack M R Hodge D J | 2007 | Br J Haematol2007，136，： | 1 |
| 6 | A global role for KLF1 in erythropoiesis revealed by ChIP-seq in primary erythroid cells显示文摘 | Tallack M R Whitington T Yuen W S | | 0，，08： | 1 |
| 7 | A global role for KLFI in erythropoiesis revealed by ChIP-seq in primary erythroid cells显示文摘 | Tallack M R Whitington T Yuen W S | 2010 | Genome Res2010，20，8： | 1 |
| 8 | A global role for KLF1 in erythropoiesis revealed by ChIP-seq in primary erythroid cells显示文摘 | Tallack MR Whitington T Yuen WS | 2010 | Genome Res2010，20，8： | 1 |
| 9 | 荒诞离奇的故事——艺术与文学中的纽约摩天大楼(英文)显示文摘纽约的摩天大楼或许比其他任何城市中的建筑都更能吸引电影制作者、画家、摄影家以及作家的注意。本文的论述将聚焦于文学与纽约摩天大楼的契合点这个相对被忽略的话题。亨利·詹姆斯在《美国游记》(1907)中很难理解这些'单一市场下的庞然大物'(James 1968:77)究竟会给作家特别是小说家和短篇小说家带来什么好处,而他的作品却绝对是倾向于低层建筑的。一个世纪后,在《坠落的人》(2007)中,德里罗虽然痴迷于步行或者驱车观赏纽约街景,但他仍然以恐怖分子袭击世贸大厦事件为题材将摩天大楼更加突出地呈现了出来。在《美国游记》和《坠落的人》中,两个作家以不同的方式来应对挑战,这种挑战来自于纽约城中日新月异、错综复杂的高层视觉特性已然将目标指向了小说的形式层面,特别是视角和叙事。小说的形式问题在同视觉艺术的发展相比照时显得更加突出,而纽约现代主义与现代化的显著一致则推动了视觉艺术的发展。 | Douglas Tallack | 2012 | 英美文学研究论丛2012，，2： | 0 |
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